Motivation in the Play Essay

Villains and why they do their plague is forever retri neverthelessoryified or explained in any literary work. Even those childishness fairy tales with the baddies formulaic and predictable evil deeds will always do things that have a excogitation or will do those things because they were compelled to do it caused by a negative feeling jealousy, r razege, envy, greed, a childhood without some starness to love them or support them, etc. William Shakespe ars plays are non an exemption to this case as he unconstipated creates characters that are capable of non only of evil they embody evil in their totality as a personif you whitethorn call them that.An congresswoman of this would be Iago, touted as the most villainous of all villains in the literary world because of the simple reason that he was guiltless, conscienceless and definitely otiose in his strategic deeds that destroyed Othello and the sight close to the tragic hero. This analysis will focus on this villain and scrutinize his character, abomination and most of all, his purpose (or the overleap thereof) on why he did the things he has done that aimlessly send awayed to other peoples lives.In fact, there is already an answer to this query for Iago is just plain evil, zipper less and definitely more. His motivation lies in the fact that he wants to end other peoples happiness and takes simple delight in causing other people pain and grief which makes him not just a villain but a very mysterious and most terrifying one. In Othello, the Moor of Venice, a mans potentiality to do evil is magnified as Iago is overcome with rage as Othello gives a position to other less qualified man that was to begin with intended for Iago.Iago takes this in deep and plots against Othello, a Moor in Venice that holds much(prenominal) high position, influential power and great riches. Iago uses jealousy to destroy Othello and the people around him by making it appear that Othellos loyal wife, Desdemona, is h aving an mathematical function with another man. In rage, Othello kills his receive wife and when he realizes that it was all Iagos evil be after, he kills himself out of grief and guilt. Iago confesses to no one and does not explain his actions instead, he keeps mum about what he has done and the purpose in them.Thus, as the play concludes, it is only the audience who are witnesses to Iagos malice and the extent of his wickednessbut there is a misadventure that Iago also leads the audience into believing that they know the entire truth when in fact, he has been dishonest the whole time to everyoneeven that of the audience. Iago acts as the villain in the play even if he was not unfeignedly the one who did the bad deeds. He is the sole villain because he was the master plotter in the whole thing that even innocent people handle Roderigo and Emilia were implicated as bad people when they were not only that capable of evil.Roderigo and Emilia were simply pawns to his plans and he used them and easily throw away them. In the book of Dobbs & Wells entitled The Oxford Companion to Shakespeare, they sum up the villainy of Iago (and pretty much, the entire play) in a few oral communication He skilfully convinces Othello that his wife Desdemona has been adulterous with Cassio. He wounds Cassio, murders Roderigo, whom he has concern in his plots, and also kills his own wife Emilia. (211) The extent of Iagos villainy does not merely end in his acts and plans but in an exclusively different context and case because his villainy was unjustified and unexplainable.He did not have a purpose and an aim in ruining Othellos life and soul. For even if it seems that Iago was incite by the anger he matte over Othellos passing over the position that was rightfully his to another man that was very much unqualified (according to Iago that is), it still seems not teeming motive. In the first part of the play (act I, scene i), Iago insists that he does hate Othello and d oes a lengthy monologue on why he hates the Moor.However, it feces be later learned that maybe Iago was not really motivated by that trivial act done by Othello since Iago has never really revealed the real reason on why he hates Othello. This is because in the aforesaid(prenominal) act, he declares that he will never say what he feels and thinks because it is austere and it is laughable For when my outward action doth demonstrate / The native act and enter of my heart In compliment extern, tis not long after / solely I will wear my heart upon my sleeve For daws to peck at. I am not what I am. (Shakespeare 1. 1. 63-7)His supposed reason on hating Othello may not be his true reason for the vendetta he so chillingly instills on the Moor because Iago will never disclose his real reasons. Thus, even though Iago was transparent with his feelings and thoughts to the audience and some characters like Roderigo and Emilia, he rattling lied to everyone since he could never wear his heart on his sleeve. Moreover, even if the rage he felt over Othellos actions propelled him to do/plan such things, it was not enough to completely destroy the life of one man and the lives around that man.To think that Iago even killed his own wife with his own handswithout a second thought on doing it or a guilt overcoming afterwards. As what Dobbs & Wells wrote, Iago was a motiveless evil and that lack of motivation in him makes him a superior proponent of evil (211). In conclusion, Iago is most villainous not just because of the things he has done but also because of the lack of motivation in them, the absence of purpose, the incapacity to be guilty over the success of his evil plans and most of all, the mockery he throws to the characters and the audience at the end of the play with his silence.This silence is eerie as it has a purposeto make everyone shiver at what other carnage and damnation he could have done with that evil mind of his. whole caboodle Cited Dobson, Michael and Wells, Stanley. Iago. The Oxford Companion to Shakespeare. New York Oxford University Press, Inc. , 2001. 211. Shakespeare, William. Othello, the Moor of Venice. Ed. Russ McDonald. New York Penguin Group, 2001. Print.