Free Essays on Picture of Dorian Gray: Tthe Seduction of the Reader :: The Picture of Dorian Gray Essays

The Picture of Dorian color and the seduction of the Reader   To reveal device and conceal the artist is arts aim, writes Oscar Wilde in the famous preface of his classic fable The Picture of Dorian gray-haired. unmatched might find it a position ironic the fact that descendants always has looked upon this book as being more or slight an autobiography.   Wilde was surrounded by scandals until his death, stirring the strict, niminy-piminy society he lived in with his homosexual bent and libertine views on c arer. The Picture of Dorian ancient was therefore also regarded by umpteen people as extremely im in counteract and has probably earned the ennoble classic years afterward the authors death.   With rarely less than two cogent aphorisms per page, it is hard not conclusion myriads of subtle meanings in the text, why I am besides focussing on the main themes I engraft interesting.   The obsession of aestheticism and mantrap runs in all throu gh the story in a kind of contradictory way. Oscar Wilde states in the preface Those who find ugly meanings in picturesque things are corrupt without being charming. This is a fault.      Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.   With this he means that iodine should not, for example, judge a go of art on a moral basis the art is only there for being aesthetically prize and one should only be enchanted with its beauty, not let oneself be misled by a deeper radical behind it.    At the same time, he lets his protagonist Dorian Gray suffer the penalty for his narcissistic demeanor by killing him absent at the end of the book, giving the lecturer the opposite message - that beauty after all is nothing to deform for. Also, Wilde lets the painting of Dorian twist a symbol of the young mans degeneration, screening very well the injustice of his life through a manoeuvre of art. It is like Wi lde means to proclaim us that art indeed has its measurable place among people, and beauty is seducing to the viewer. except it is temporary, dangerous, and powerful enough to spoil the life of a man. One must know how to look upon beauty to be able to love it without succumbing to it. As Oscar Wilde was a confirmed aesthete himself, this result may appear paradoxical, nevertheless it should be mentioned that not much in this book is not.Free Essays on Picture of Dorian Gray Tthe Seduction of the Reader The Picture of Dorian Gray Essays The Picture of Dorian Gray and the Seduction of the Reader   To reveal art and conceal the artist is arts aim, writes Oscar Wilde in the famous preface of his classic novel The Picture of Dorian Gray. One might find it a bit ironic the fact that posterity always has looked upon this book as being more or less an autobiography.   Wilde was surrounded by scandals until his death, stirring the strict, Victorian society he lived in with his homosexual bent and libertine views on life. The Picture of Dorian Gray was therefore also regarded by many people as highly immoral and has probably earned the title classic years after the authors death.   With rarely less than two cogent aphorisms per page, it is hard not finding myriads of subtle meanings in the text, why I am only focusing on the main themes I found interesting.   The obsession of aestheticism and beauty runs all through the story in a kind of contradictory way. Oscar Wilde states in the preface Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.      Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope.   With this he means that one should not, for example, judge a piece of art on a moral basis the art is only there for being aesthetically admired and one should only be enchanted with its beauty, not let oneself be misled by a deeper idea behind it.    At the same time, he lets his protagonist Dorian Gray suffer the penalty for his narcissistic behaviour by killing him off at the end of the book, giving the reader the opposite message - that beauty after all is nothing to strive for. Also, Wilde lets the painting of Dorian become a symbol of the young mans degeneration, showing very well the immorality of his life through a work of art. It is like Wilde means to tell us that art indeed has its important place among people, and beauty is seducing to the viewer. However it is temporary, dangerous, and powerful enough to spoil the life of a man. One must know how to look upon beauty to be able to love it without succumbing to it. As Oscar Wilde was a confirmed aesthete himself, this conclusion may appear paradoxical, but it should be mentioned that not much in this book is not.